Saturday, July 30, 2016
Lava from volcano in Hawaii reaches Pacific Ocean
The Big Island of Hawaii is getting a little bigger as lava from the Kilauea Volcano flows into the Pacific Ocean.
The 6.5 mile-long lava flow has been dribbling down the south flank of Kilauea since May, according to the U.S. Geological Survey Hawaiian Volcano Observatory. It reached the ocean on Tuesday morning.
The USGS said the flow is about 20 meters (66 feet) wide where it spills over the cliff into the sea.
The red-hot lava creates huge plumes of steam as it hits the water and begins cooling into rock, delighting locals and eager tourists.
Friday, July 15, 2016
How to Reduce Entertainment Expenses
According to the Bureau of Labor Statistics, the average American household spent a little more than $2,500 on entertainment in the year 2011. If you are one of the many who spend too much, here are a few simple steps, helping you to reduce your hosting costs.
Friday, July 1, 2016
Review: The Legend of Tarzan Is Revisionist, Anachronistic, Weird and Beautiful
Sections of this film are so imaginative, and so lovely, that they deserve our open-heartedness, not our scorn
Conceptually, at least, David Yates’ The Legend of Tarzan, starring Alexander Skarsgård as the fantastically brawny lord of the jungle, just can’t win. It’s adapted from a series of boys’ adventure books written in the early 1900s, when racial and social awareness wasn’t anything close to what it is today, and “colonialism” wasn’t yet a word that was always preceded by “the evils of.” The world is better off, now that we’ve learned—or at least are learning—to think and talk about these things. But what about Tarzan, Edgar Rice Burroughs’ English and very white lord raised in the African jungle by apes, a man in tune with his body and with nature, but one who must also, eventually, adjust to the mores of civilization? The ape-man has lived for a very long time through Burroughs’ books, and through almost countless movie and TV adaptations, including the Johnny Weissmuller and Maureen O’Sullivan films of the 1930s and early ‘40s—which were, it should be noted, insensitive to issues of race.
So what are we supposed to do with Tarzan, now that we know better? It would be easier, maybe, to retire him forever than to try to replace his loincloth of casual unselfconsciousness with a specially designed supergarment of awareness and sophisticated thinking.
But it’s impossible for art to move things forward if we simply think of the past as a place where everyone got everything wrong. With The Legend of Tarzan, Yates—who directed four of the Harry Potter movies, infusing all of them with the proper velvety, moody magic—gives us the best possible Tarzan for our time, one who seems to know intuitively what a complicated minefield he’s stepping onto. That doesn’t diminish the pleasures of the movie—it simply makes us feel better about savoring them. And sections of The Legend of Tarzan are so imaginative, and so lovely, that they deserve our open-heartedness, not our scorn.
Conceptually, at least, David Yates’ The Legend of Tarzan, starring Alexander Skarsgård as the fantastically brawny lord of the jungle, just can’t win. It’s adapted from a series of boys’ adventure books written in the early 1900s, when racial and social awareness wasn’t anything close to what it is today, and “colonialism” wasn’t yet a word that was always preceded by “the evils of.” The world is better off, now that we’ve learned—or at least are learning—to think and talk about these things. But what about Tarzan, Edgar Rice Burroughs’ English and very white lord raised in the African jungle by apes, a man in tune with his body and with nature, but one who must also, eventually, adjust to the mores of civilization? The ape-man has lived for a very long time through Burroughs’ books, and through almost countless movie and TV adaptations, including the Johnny Weissmuller and Maureen O’Sullivan films of the 1930s and early ‘40s—which were, it should be noted, insensitive to issues of race.
So what are we supposed to do with Tarzan, now that we know better? It would be easier, maybe, to retire him forever than to try to replace his loincloth of casual unselfconsciousness with a specially designed supergarment of awareness and sophisticated thinking.
But it’s impossible for art to move things forward if we simply think of the past as a place where everyone got everything wrong. With The Legend of Tarzan, Yates—who directed four of the Harry Potter movies, infusing all of them with the proper velvety, moody magic—gives us the best possible Tarzan for our time, one who seems to know intuitively what a complicated minefield he’s stepping onto. That doesn’t diminish the pleasures of the movie—it simply makes us feel better about savoring them. And sections of The Legend of Tarzan are so imaginative, and so lovely, that they deserve our open-heartedness, not our scorn.
3 things we learned as Portugal beat Poland on penalties in Euro 2016
Portugal saw off Poland on penalties in Marseille on Thursday to reach the semifinals of Euro 2016. Poland's Robert Lewandowski opened the scoring after just a couple of minutes, only for Renato Sanches to peg them back later in the first half. Portugal had the better of the play from thereon, though failed to take their chances and relied on a shootout to ensure their place in the final four.
Poland could hardly have made a better start to the match, breaking the deadlock after just a couple of minutes. Kamil Grosicki caught Portugal right-back Cédric napping underneath a high ball, and promptly delivered a lethal low cross into the penalty area. A brilliant run ensured Lewandowski found himself in the right place at just the right time, and he slotted the ball powerfully beyond Rui Patricio and into the back of the net.
Portugal could've been rattled, but to their credit, Fernando Santos' side steadied the ship. They started to settle on the ball, and forced Poland's defensive line ever deeper. However, with the exception of a strong penalty appeal when Cristiano Ronaldo was bundled over inside the box, they didn't give Poland's centre-halves too much to worry about.
When the equaliser did arrive, shortly after the half-hour mark, it was a combination of individual quality and good fortune. A powerful strike from Sanches on the edge of the area took a nick off the shoulder of Grzegorz Krychowiak on its way past Łukasz Fabianski, with Portugal's pressure finally telling. They continued to dominate through to the interval, though without any further reward.
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